Cinematography — Electro-acoustic response of motion-picture control rooms and indoor theatres — Specifications and measurements

Cinematography — B-chain electro-acoustic response of motion-picture control rooms and indoor theatres — Specifications and measurements

Cinematography — B-chain electro-acoustic reponse of motion-picture control rooms and indoor theatres — Specifications and measurements

Cinematography — B-chain electro-acoustic reponse of motion-picture control rooms and indoor theatres — Specifications and measurements — Amendment 1

Technical requirements and test methods for digital cinema stereoscopic projection

Cinematography — Background acoustic noise levels in theatres, review rooms and dubbing rooms

Cinematography — Room and surround conditions for evaluating television display from telecine reproduction

Cinematography — Work stations used for film and video production — Requirements for visual and audio conditions

Cinematography — Work stations used for film and video production — Requirements for visual and audio conditions — Technical Corrigendum 1

Cinematography — Method of measurement of perceived loudness of motion-picture audio material

Cinematography — Method of measurement of perceived loudness of short duration motion-picture audio material

Cinematography — Method of measurement of perceived loudness of short duration motion-picture audio material — Amendment 1

Cinematography — Relative and absolute sound pressure levels for motion-picture multi-channel sound systems — Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio

Cinematography — Relative and absolute sound pressure levels for motion-picture multi-channel sound systems — Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio — Amendment 1

Digital cinema (D-cinema) distribution master — Part 1: Image characteristics

Digital cinema (D-cinema) distribution master — Part 2: Audio characteristics

Digital cinema (D-cinema) distribution master — Part 3: Audio channel mapping and channel labeling

Digital cinema (D-cinema) distribution master — Part 9: Image pixel structure level 3 — Serial digital interface signal formatting

Digital cinema (D-cinema) distribution master — Part 11: Additional frame rates

Digital cinema (D-cinema) distribution master — Part 19: Serial digital interface signal formatting for additional frame rates level AFR2 and level AFR4

Digital cinema (D-cinema) packaging — Part 3: Sound and picture track file

Digital cinema (D-cinema) packaging — Part 4: MXF JPEG 2000 application

Digital cinema (D-cinema) packaging — Part 6: MXF track file essence encryption

Digital cinema (D-cinema) packaging — Part 7: Composition playlist

Digital cinema (D-cinema) packaging — Part 8: Packing list

Digital cinema (D-cinema) packaging — Part 9: Asset mapping and file segmentation

Digital cinema (D-cinema) packaging — Part 10: Stereoscopic picture track file

Digital cinema (D-cinema) operations — Part 1: Key delivery message

Digital cinema (D-cinema) operations — Part 2: Digital certificate

Digital cinema (D-cinema) operations — Part 3: Generic extra-theater message format

Digital cinema (D-cinema) operations — Part 4: Log record format specification

Digital cinema (D-cinema) operations — Part 5: Security log event class and constraints

Digital cinema (D-cinema) operations — Part 6: Auditorium security messages for intra-theater communications

Digital cinema (D-cinema) operations — Part 9: Key delivery bundle

Digital cinema (D-cinema) quality — Part 1: Screen luminance level, chromaticity and uniformity

Digital source processing — Part 2: Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics

Digital cinema (D-cinema) — XML data types